Chekhov's Gun

The Zhivago Project , as it was called, was an attempt by MI6 and the CIA to disseminate Dr. Zhivago among Soviet citizens at the height of the Cold War.  While it was an Italian publisher who ultimately made the book available to a wider audience, with Pasternak's knowledge, it was the British and Americans who exploited the controversial book in an attempt to stir up emotions in the Soviet Union, without the author's knowledge. Pasternak with his wife, Olga, and daughter, Irina, 1959 Pasternak was already in trouble in the Soviet Union.  As Finn and Couvee describe in the prologue, the 66-year-old author was living in a state-supported writers' village, Peredilkino, when he was approached by a representative for a new Italian publishing company, which was desperate for writers of note.  Pasternak hadn't published anything in years, but was still regarded as an important poet in the USSR.   It seems Sergio D'Angelo would have been content with some of Pa

One of my recent discoveries is Danzig Baldaev , a graphic artist from the Soviet Union who became famous for his illustrations of tattoos he copied while serving as a prison guard in Leningrad.  Fuel publishers has generously reprinted these illustrations in three volumes.  The tattoos served as an inspiration for David Cronenberg, who liberally borrowed from the tomes in illustrating Viggo Mortensen and other characters in Eastern Promises. But, what caught my eye was a collection of Baldaev's political cartoons, simply entitled Soviets , which cover a broad range from the mid 1950s to 1991 when the Soviet Union collapsed.  Baldaev is not only a fine illustrator, but has a wonderful dark humor that is obviously a product of his years as a prison guard.  Needless to say, these cartoons weren't published in their time.  Baldaev also offers a collection of cartoons in the same vein entitled Drawings from the Gulag . Robert Crumb has nothing over Danzig, who survived the

This Ukraine Brawl Is Better Than Michelangelo (2paragraphs)   Capturing the perfectly-timed photo is not easy: when it happens it’s by accident. Usually the result is funny or weird . Occasionally it approaches Art: that’s the case with this photo of a brawl in the Ukrainian parliament that artist James Harvey thinks has all the compositional beauty of a Renaissance painting. Harvey found the image at Imgur, complete with Fibonacci Sequence overlaid to show its Golden Ratio . According to Ben Beaumont-Thomas of The Guardian , “the Fibonacci spiral has been placed on top of it to show just why its elements cohere so satisfyingly… the violence spirals exponentially outward from the focal point of the fight up to the reddened face of the man at the top of the image.” Luckily for art and mathematics enthusiasts, there should be other accidental Renaissance art waiting to be discovered courtesy of the Ukrainian and other parliaments .

This story broke in Lithuania shortly after the petition was made available, and now it is gaining much wider circulation.  Seems the government is calling on Russia's cultural elite to back its annexation of Crimea, an action not seen since Soviet times.  Many leading cultural figures signed the petition, some out of patriotism, like Valery Gergiev who considers the Ukraine "an essential part of our cultural space."   Others out of fear of reprisals. Boris Akunin (pictured above) stands out as one of those who refused to sign the petition, “It’s just that under Stalin, if a prominent cultural figure dared to protest he’d be shot; under Brezhnev he’d be imprisoned; now he just risks losing state donations and having to travel economy class — but this often proves enough.  It’s a fascinating sight to watch people make this moral choice.” When hearing of the petition, Lithuania's leading theater director, Eimuntas Nekrošius, and favorite of Russian theaters,

I was pleased to find what appears to be a reprint of Catherine Cooke's AD profile of Yakov Chernikhov, one of the leading avant-garde architects of the early Soviet era.  Like many of these architects, his ideas remain largely on paper as the rise of Soviet realism in the 1930s had little room for these "futurists," with their ideas being absorbed by European schools like the Bauhaus in Weimer Germany.  The Architectural Design Profile is pretty hard to find these days and fetches a collector's price, but the Dom book is readily available. I don't talk much about architecture in this blog, but it was a major component of the early Soviet period, with architects like El Lissitzky working with Mayakovsky on For the Voice, a pamphlet that evocatively captured the era.  Here is a wonderful short animation feature  based on the book.  Lissitzky would eventually have a profound influence on European modern movements, particularly in his use of the " proun

As Russians try to rewrite what they see as a historical wrong, I find myself digging into the history of Crimea.  Orlando Figes has written two books on Crimea, including this history  in 2010. It was in 1954 that Khrushchev decided to attach Crimea to the Soviet state of Ukraine, primarily so it would benefit from a new hydro-electric dam.  I suppose at the time Khrushchev never imagined Ukraine becoming an independent state.  Neither did many Russians, especially those who lived in Crimea. As far as history goes, it depends on how far back you want to go.  For centuries this was a Greek enclave, before being annexed by Catherine the Great in the late 18th century.  It became bitterly fought over by the Russian and Ottoman empires in the 19th century, culminating in the Crimean War in the 1850s. I suppose from the point of view of history, Khrushchev's "gift" couldn't have been more ill-timed, coming 100 years after the start of the Crimean War.  The Gree

I still find myself waiting for a translation of Viktor Pelevin's latest book, SNUFF .  In the meantime I've gone back and read some of his earlier titles and recently ordered Buddha's Little Finger .  The English translation dates from 2000 and was reviewed in The New York Times.  It first appeared as   Чапаев и Пустота (Chapayev and Void) in 1996, and under the title Clay Machine Gun in the UK. Pelevin revisits that chaotic time when Gorbacev was desperately trying to hold the crumbling Soviet Union together through the eyes of a poet, Pyotr Voyd, who has run afoul of authorities over a couple poems he had published in an underground newspaper.  Once again we get a character caught between two worlds, trying to make sense of the mechanisations behind the world we see, not much unlike in Generation   π . What makes all his books interesting is the way he plays with time and space, much like Kurt Vonnegut, who I imagine is one of his literary heroes.  Pelevin als

Watching the Sochi Olympic Games and viewing the unrest in Ukraine these past two weeks has inspired me to kickstart this forum once again.  I greatly appreciate that persons are still looking in and that there is actually a couple new followers.  It's a one-man show and I encourage those looking in to drop comments. A few months back I found an early English edition of Tolstoy's Sebastopol Sketches .  It is a real treat as it is a cloth-covered pocket book that dates back to 1887.  Apparently, there wasn't much call for a rare book such as this and I didn't pay too much money for it.  Tolstoy was a young man, who served in an artillery regiment during the Crimean War.  Here is a 1916 copy , courtesy of the National Library of Australia. Once again Ukraine finds itself on the battlefront, although this one seems to be more over identity, which nearly erupted into a civil war this month.  Fortunately, cooler heads have prevailed, but now there is talk of secession